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Daughters Of Saint Crispin

by Daughters Of Saint Crispin

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  • Record/Vinyl + Digital Album

    Vinyl mastered by Saff Mastering. Pressed at Smashed Plastic in Chicago.

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  • T-Shirt/Apparel + Digital Album

    Super-soft Bella + Canvas shirts.

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  • Compact Disc (CD) + Digital Album

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  • Buy both and save! Super-soft Bella + Canvas shirts.

    Includes unlimited streaming of Daughters Of Saint Crispin via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Ex-Spies 06:48
2.
Debt Grief 04:19
3.
Blue Light 03:27
4.
5.
Keep Still 06:16
6.
7.
8.

about

The opening track of Daughters Of Saint Crispin's debut EP, “Ex-Spies,” clocks in at just under 7 minutes, introducing us to the duo's sparse and refined approach to doom and post-hardcore. Driven by Madison post-punk and metal veterans Russell Hall and Pete Leonard, this music is a menacing, foreboding machine slowly clinking and crawling towards its victims. Replacing overly complex and technical doom with a drum machine and guitars that sound like a living rain cloud, Daughters Of Saint Crispin are fear personified. While the influence of Godlfesh and sludge-metal can leave tracks moving at a slow pace, a genre forte, the deliberate minimalism on the closing track “Head And Heart” is a skillfully crafted, slowly tightening noose. Halfway through the song, Hall's vocals screech through with a remorseful “Hold your head up high” again and again towards the end as their death march beats on. — Tone Madison

Tracks 1-4 were originally released digitally and on CD by Force Publique as FPM08. Track 5 was originally released digitally by Force Publique as FPM16. Tracks 6-8 previously unreleased.

credits

released July 15, 2021

Written and performed by Peter Leonard and Russell Emerson Hall.
Engineered by Hall. Mixed by Dustin Sisson. Mastered by Carl Saff.
LP released jointly by Phratry Records (PTR65) and Force Publique (FPM10)

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about

Daughters Of Saint Crispin Madison, Wisconsin

Is it doomy Big Black or Godflesh playing Codeine songs? Either way, it's noisy, drum-machine-driven slowcore or, as our friend Ryan put it, "Sadflesh."

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